“…a firecracker full of idiosyncratic movement phrases that Pierce now cracks apart, now melds together as if she’s sprinkling sparkles on a canvas and then gluing them into a clump…a supreme entertainment.”
- Thea Singer, Boston Globe

“...a beautifully trained dancer and a masterful choreographer, Pierce is an accomplished classical pianist, a champion bartender and a bit of a standup comedian.”
- Sara Sweet, Weekly Dig

“…EgoArt….[has] elements of wacky humor, unusual music and a general overall weirdness…”
David Wildman, Weekly Dig

“For Lazy Susan, Nicole Pierce played a Schubert piano work (one of the three from D.946) that started out as a stroll in the park and flung itself into agitato darkness.”
- Marcia Siegel, Boston Phoenix

“…Schubert piano music expertly played live by Nicole Pierce…”
- Karen Campbell, Boston Globe

“She is a serious choreographer willing to throw her company into solidly serious modern dance, or satire, or slapstick, all with depth and intensity.”
- Larry Stark, Theatre Mirror

“….manages to give the impression of silhouettes frozen in the flashes of a strobe light, even though Pierce…never stops moving.”
- Thea Singer, Boston Globe

“…offbeat multimedia shows that meld modern dance, cabaret, and vaudeville.”
- Karen Campbell, Boston Globe

“…combination of whimsy and narcissism.”
- Debra Cash, Boston Globe

“…the Ego Show is a hoot!”
- Larry Stark, Theater Mirror Reviews

“…a kind of unrestrained talent…”
- Thea Singer, Boston Globe

“…exhibiting a complexity that comes not from just telling a story but abstracting life’s lessons to make art.”
- Thea Singer, Boston Globe

“…a movement circus…”
- Liza Weisstuch, Boston Phoenix

“…Pierce…reveals an ongoing obsession with extreme juxtapositions and the role of memory.”
“…extreme eclecticism…”
- Theodore Bale, Boston Herald